The work of Bristol sound co-founder Geoff Barrow, this sharp-edged though undernourished first film casts a critical gaze on 90s rave culture. Venal drug user David (Marc Bessant) first robs an unconscious dealer, then in a later recollection tries to break into his own parents. In no time, he's overturned in the wreckage of his car in a woodland – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Duel
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to free himself from his seatbelt, while awkwardly transitioning into past scenes of his everyday life. The bigger point – that the rave-era youth were mainly focused on number one – is clearly conveyed. But these vignettes are too thin to adequately prepare us for what to expect when the Woodsman arrives, enraged after David strangles his dog. Still, a darkly funny duel takes hold – David eager to get away; the Woodsman withholding his jerrycan of scrumpy, determined to dousing him instead in resentful talk. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
Just a single key story turn, but it leads to a hilariously staged rampage on the woodland paths that veers toward folk horror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing artful shots of insects in the light in the early stages, he now lets rip with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
The film releases in British and Irish theaters from November 17.
